Mike Kuchar Movies

...It was time to chase One's shadow back into sunlight. -Mike Kuchar

There is more than one way to get 'lost' in the woods.

The dialogue for this production, featuring Cupid, is taken from the pages of a personal diary found under a chair.

In this dream-portrait, Mike Kuchar floats through his memories as the sea, space and sky drift past. Wrapped in odd costumes, he frolics with the...

Sort of a portrait of the videomaker Anne McQuire, who surfaces midway from this waterlogged landscape of El Nino disasters to dispense charm and...

An early masterpiece by Mike Kuchar, in which Babette tells all, leaving no turgid stone unturned.

An evocative 16mm short shot during a visit to Nepal.

Dialogue taken from the Bible is put in the mouths of three souls in a modern apartment, who must deal with a "fall from grace."

Relationships don't end... they linger like ghosts.

Corruption of the Damned might seethe with violence and sex, the two most attractive things you can put on the screen, but beneath them a twisted...

A wide-ranging look at pictures I collect on my walls and in my head. A look at pictures I concoct with my students at the San Francisco Art...

He peels away layers of secrets to you for what you are, and he likes scars because they tell stories.

Like ships in a harbor, men come and go in relationships. But, as one character says to another character who is heartbroken: "You sucked enough...

His love of Heaven's virtues could not prevent a hunger for God's enticing creatures.

A 16mm black and white remake of an 8mm color film done years earlier, this time with students enrolled in a 'dramatic narrative' summer workshop....

In the serene zone between twilight and dawn, a lullaby of thoughts floats beneath a blanket of stars.

Videomaker and spoken word performer David Finkelstein sleepwalks down into subconscious corridors.

A House Wife's hum-drum world dissolves away into a thorny Passion Play of miraculous visions.

A cavalcade of characters in conflict with consciousness is conjured up within the confines of Studio 8 at the San Francisco Art Institute and...

He felt both dead and alive... having 'died' and having come back to the space of his 'living.'